So the ideology was that: use sounds as instruments, as sounds on tape, without the causality. It was no longer a clarinet or a spring or a piano but a sound with a form, a development, a life of its own.
Luc Ferrari, Paris Transatlantic Magazine, 1998/07/22
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The lustfully lubricious 45rpm love–in, Je t’aime … moi non plus from Serge Gainsbourg and Jane Birkin, was totally banned from airplay in Spain, Sweden, Brazil, the UK, Italy, Poland and Portugal in ‘69 — which did wonders for the sales figures at Fontana records that year.